Vol. I - Musical Phonology: Perhaps The Principal Thing
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Vol. I - Musical Phonology: Let Me Start
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Vol. I - Musical Phonology: This Is Not Just A Sentimental Anecdote
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Vol. I - Musical Phonology: From This Time
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Vol. I - Musical Phonology: But How Do We Investigate
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Vol. I - Musical Phonology: Now You Can See
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Vol. I - Musical Phonology: Universality Is A Big Word
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Vol. I - Musical Phonology: Other Linguists
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Vol. I - Musical Phonology: I Began By Imagining Myself
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Vol. I - Musical Phonology: Well, Then I Thought
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Vol. I - Musical Phonology: Let'S Make A Simple Analogy
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Vol. I - Musical Phonology: Maybe Even A Divine One
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Vol. I - Musical Phonology: But Where Do These Notes Come From?
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Vol. I - Musical Phonology: This Acoustical Phenomenon
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Vol. I - Musical Phonology: All These Upper Notes
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Vol. I - Musical Phonology: The First Overtone
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Vol. I - Musical Phonology: But More Of That Later
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Vol. I - Musical Phonology: But Let'S Not Make The Mistake
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Vol. I - Musical Phonology: And That'S How The Tempered Clavichord
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Vol. I - Musical Phonology: Now This Is A Substantive Universal
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Vol. I - Musical Phonology: But Let'S Be Careful
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Vol. I - Musical Phonology: And There Is Always That Blue Note
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Vol. I - Musical Phonology: But Even These Twelve Tones
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Vol. I - Musical Phonology: I Trust You Realize
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Vol. I - Musical Phonology: And Again Comes A Great Leap
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Vol. I - Musical Phonology: Now This Means
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Vol. I - Musical Phonology: This Is Not To Say That There Were No Drastic Changes
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Vol. I - Musical Phonology: But Meanwhile We Are Still In The Golden Age
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Vol. I - Musical Phonology: So, We'Re In The Midst Of A Chromatic Adventure
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Vol. I - Musical Phonology: And All By Those Progressions
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Vol. I - Musical Phonology: Now, I Must Point Out
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Vol. I - Musical Phonology: Do You Realize
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Symphony No. 40 In G Minor, K. 550: I. Allegro Molto
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Symphony No. 40 In G Minor, K. 550: Ii. Andante
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Symphony No. 40 In G Minor, K. 550: Iii. Menuetto, Allegretto
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Symphony No. 40 In G Minor, K. 550: Iv. Finale. Allegro Assai
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Vol. Ii - Musical Syntax: Every Once In A While
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Vol. Ii - Musical Syntax: Last Week
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Vol. Ii - Musical Syntax: Amen, Says Noam Chomsky
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Vol. Ii - Musical Syntax: I Suppose What Chomsky Is Really After
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Vol. Ii - Musical Syntax: So, Let'S Pull Up Our Socks
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Vol. Ii - Musical Syntax: All Right, Let'S Try Another One
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Vol. Ii - Musical Syntax: Why Am I Taking Your Time
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Vol. Ii - Musical Syntax: Well Then
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Vol. Ii - Musical Syntax: I Think It Follows
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Vol. Ii - Musical Syntax: But First, What Are These Principles
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Vol. Ii - Musical Syntax: Tranformational Grammar
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Vol. Ii - Musical Syntax: But Now Just Think Of That Sentence
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Vol. Ii - Musical Syntax: Since This Is Not A Linguistics Class
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Vol. Ii - Musical Syntax: Take The Passive Transformation
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Vol. Ii - Musical Syntax: Well, It Hasn'T Brought Us There
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Vol. Ii - Musical Syntax: Good - Now Just As Three Notes Are Linked Together
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Vol. Ii - Musical Syntax: Now Let'S Go Back
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Vol. Ii - Musical Syntax: Now We Are Ready
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Vol. Ii - Musical Syntax: Now I Wanna Take You
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Vol. Ii - Musical Syntax: Well, Transformation, Deletion, Embedding, Pronominalization
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Vol. Ii - Musical Syntax: I Am Sure I Don'T Have To Trouble
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Vol. Ii - Musical Syntax: Here I Go
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Vol. Ii - Musical Syntax: I Have Asked Myself
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Vol. Ii - Musical Syntax: I Became So Fascinated
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Vol. Ii - Musical Syntax: Let'S Take One Such Utterance
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Vol. Ii - Musical Syntax: Now Imagine
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Vol. Ii - Musical Syntax: Now Let'S See
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Vol. Ii - Musical Syntax: Mozart'S G Minor Symphony
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Vol. Ii - Musical Syntax: Now Our Job Is
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Vol. Ii - Musical Syntax: That Introductory Accompaniment
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Vol. Ii - Musical Syntax: What Does This Three-Note Design Mean
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Vol. Ii - Musical Syntax: The Reason I Pick Symmetry
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Vol. Ii - Musical Syntax: Now From Here On
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Vol. Ii - Musical Syntax: And Once Again, We Are Back
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Vol. Ii - Musical Syntax: By Far The Chief Transformational Principle
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Vol. Ii - Musical Syntax: You See, One Of The Great Failings
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Vol. Ii - Musical Syntax: Most People Hearing Mozart'S Opening
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Vol. Ii - Musical Syntax: So What Your Ask
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Vol. Ii - Musical Syntax: And If You Are Still Not Convinced
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Vol. Ii - Musical Syntax: These Ambiguities
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Vol. Ii - Musical Syntax: For Instance, In This Same First Movement
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Vol. Ii - Musical Syntax: So All These Syntactic Transformations Of The Same Material
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Vol. Ii - Musical Syntax: He Talks About This Sonnet
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Vol. Ii - Musical Syntax: Because Now It'S Time
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Vol. Ii - Musical Syntax: But Now Let'S Listen To
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Vol. Ii - Musical Syntax: Listen To The Whole Exposition
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Vol. Ii - Musical Syntax: Development Coming Up
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Vol. Ii - Musical Syntax: The Circle Of Fifths Again
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Vol. Ii - Musical Syntax: And That Was All One Single Sentence
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Vol. Iii - Musical Semantics: The Other Day
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Vol. Iii - Musical Semantics: The First Would Show Us One Meaning
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Vol. Iii - Musical Semantics: Think Of This Famous Passage
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Vol. Iii - Musical Semantics: A Linguist Would Say
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Vol. Iii - Musical Semantics: Well, I Replied, Chomsky Would Say
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Vol. Iii - Musical Semantics: Of Course, That Last Metaphorical Leap
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Vol. Iii - Musical Semantics: Terrific, Said My Blonde Inquisitor
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Vol. Iii - Musical Semantics: In Fact, When You Think Of The Number
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Vol. Iii - Musical Semantics: All Right, First Let'S Look Briefly
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Vol. Iii - Musical Semantics: Playing, That'S The Word
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Vol. Iii - Musical Semantics: But Does This Stravinskian Game Concept
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Vol. Iii - Musical Semantics: There Are Three Specific Ways
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Vol. Iii - Musical Semantics: Now, Having Defined My Usages Of Metaphor
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Vol. Iii - Musical Semantics: And Here We Are In Trouble
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Vol. Iii - Musical Semantics: Are We Feeling What Beethoven Supposedly Felt
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Vol. Iii - Musical Semantics: We Will Never Know
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Vol. Iii - Musical Semantics: Now, If We Accept This General Idea
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Vol. Iii - Musical Semantics: In Our Last Lecture
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Vol. Iii - Musical Semantics: We All Recognize Antithesis
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Vol. Iii - Musical Semantics: It Can And It Does
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Vol. Iii - Musical Semantics: And Again, As In The Poem
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Vol. Iii - Musical Semantics: In Fact, It Has Been Authoritatively Suggested
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Vol. Iii - Musical Semantics: We Can Expand The Idea
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Vol. Iii - Musical Semantics: What Do You Suppose
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Vol. Iii - Musical Semantics: What' Seriously Striking
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Vol. Iii - Musical Semantics: So Why The Pastorale On This Lecture
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2:42
Vol. Iii - Musical Semantics: Let'S Begin At The Beginning
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Vol. Iii - Musical Semantics: But What Of The More Obvious Melodic Material
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Vol. Iii - Musical Semantics: But To Develop How
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Vol. Iii - Musical Semantics: Now We Have An Insight
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Vol. Iii - Musical Semantics: But Wait
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Vol. Iii - Musical Semantics: But Why Were Just Those Two Notes Added
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Vol. Iii - Musical Semantics: The Metaphor Arises
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Vol. Iii - Musical Semantics: But In The Ensuing Four Bars
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Vol. Iii - Musical Semantics: But That'S Not The Main Event
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Vol. Iii - Musical Semantics: Well, That'S The Beginning
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Vol. Iii - Musical Semantics: That'S One Of The Questions
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Vol. Iii - Musical Semantics: This Interference Of The Two Frequencies
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Vol. Iii - Musical Semantics: But What Are We To Say
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Vol. Iii - Musical Semantics: It Is To Be Found
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Vol. Iii - Musical Semantics: Now That'S One Way Of Looking
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Vol. Iii - Musical Semantics: At This Point
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Vol. Iii - Musical Semantics: Even If You Can Succeed
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Symphony No. 6 In F Major, Op. 68 "Pastoral": I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo
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Symphony No. 6 In F Major, Op. 68 "Pastoral": Ii. Scene Am Bach. Andante Molto Moto
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Symphony No. 6 In F Major, Op. 68 "Pastoral": Iii. Lustiges Zusammensein Der Landleute. Allegro
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Symphony No. 6 In F Major, Op. 68 "Pastoral": Iv. Gewitter. Sturm. Allegro
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Symphony No. 6 In F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm. Allegretto
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Vol. Iv - The Delights And Dangers Of Ambiguity: When I First Wrote Down The Title
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Vol. Iv - The Delights And Dangers Of Ambiguity: Part Of The Danger
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Vol. Iv - The Delights And Dangers Of Ambiguity: The Idea Of Ambiguity
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Vol. Iv - The Delights And Dangers Of Ambiguity: Similarly, In Our Second Lecture
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Vol. Iv - The Delights And Dangers Of Ambiguity: Then What'S The Magic Secret
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Vol. Iv - The Delights And Dangers Of Ambiguity: Enough Of Ambiguity
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Vol. Iv - The Delights And Dangers Of Ambiguity: The Irony Of All This
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Vol. Iv - The Delights And Dangers Of Ambiguity: But, Mind You
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Vol. Iv - The Delights And Dangers Of Ambiguity: Where Music Was Concerned
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Vol. Iv - The Delights And Dangers Of Ambiguity: Only Think Of
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Vol. Iv - The Delights And Dangers Of Ambiguity: And Chopin Well We Can'T Ignore Chopin
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Vol. Iv - The Delights And Dangers Of Ambiguity: And Then, In The Same Little Mazurka
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Vol. Iv - The Delights And Dangers Of Ambiguity: Foolish Questions
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Vol. Iv - The Delights And Dangers Of Ambiguity: Let Me Try To Read You
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Vol. Iv - The Delights And Dangers Of Ambiguity: Listen To This
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Vol. Iv - The Delights And Dangers Of Ambiguity: They Began To Intermingle
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Vol. Iv - The Delights And Dangers Of Ambiguity: The Pivotal Point
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Vol. Iv - The Delights And Dangers Of Ambiguity: So There Is A Dramatic Change
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Vol. Iv - The Delights And Dangers Of Ambiguity: So It Is After All Not So Surprising
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Vol. Iv - The Delights And Dangers Of Ambiguity: Now If You Noticed
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Vol. Iv - The Delights And Dangers Of Ambiguity: You See, The Music Is Trying Hard
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Vol. Iv - The Delights And Dangers Of Ambiguity: So That Instant In Musical Time
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Vol. Iv - The Delights And Dangers Of Ambiguity: Now Romeo Is All Stirred Up
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Roméo And Juliet, A Dramatic Symphony, Op. 17: 1. Roméo Seul: Tristesse - Bruits De Concerts Et De Bal - Grand Fête Chez Capulet: Andante Malinconico E Sostenuto
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Roméo And Juliet, A Dramatic Symphony, Op. 17: Allegro - Larghetto Espressivo - (Instrumental)
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Roméo And Juliet, A Dramatic Symphony, Op. 17: Allegro - (Instrumental)
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Roméo And Juliet, A Dramatic Symphony, Op. 17: Réunion Des Duex Themes, Du Larghetto Et De L'Allegro (Instrumental)
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Vol. Iv - The Delights And Dangers Of Ambiguity: What A Piece
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Vol. Iv - The Delights And Dangers Of Ambiguity: Quite Unconsciously Borrowed
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Vol. Iv - The Delights And Dangers Of Ambiguity: My Purpose In All This
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Vol. Iv - The Delights And Dangers Of Ambiguity: Is It, Says Wagner
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Vol. Iv - The Delights And Dangers Of Ambiguity: Every Diminished Seventh Chord
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Vol. Iv - The Delights And Dangers Of Ambiguity: Now The Remarkable Thing Is
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Vol. Iv - The Delights And Dangers Of Ambiguity: And This Is What Gives Tristan
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Vol. Iv - The Delights And Dangers Of Ambiguity: Prelude And Love-Death (From "Tristan And Isolde")
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Vol. Iv - The Delights And Dangers Of Ambiguity: That May Be The Slowest Performance
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Vol. Iv - The Delights And Dangers Of Ambiguity: But Ultimately
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Vol. Iv - The Delights And Dangers Of Ambiguity: Poetry Has Begun To Show
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Vol. Iv - The Delights And Dangers Of Ambiguity: And When Debussy
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Vol. Iv - The Delights And Dangers Of Ambiguity: It'S Lovely, This Dreaming
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Vol. Iv - The Delights And Dangers Of Ambiguity: For Example, Do You Remember
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Vol. Iv - The Delights And Dangers Of Ambiguity: In Fact, The Ending Of This Piece
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Vol. Iv - The Delights And Dangers Of Ambiguity: Let Me Show You Briefly
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Vol. Iv - The Delights And Dangers Of Ambiguity: This New Episode That Proceeds
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Vol. Iv - The Delights And Dangers Of Ambiguity: For Instance, Hardly Have We Had Time
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2:30
Vol. Iv - The Delights And Dangers Of Ambiguity: Because The Scale
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Vol. Iv - The Delights And Dangers Of Ambiguity: It'S Almost Exactly What Happens
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Vol. Iv - The Delights And Dangers Of Ambiguity: Literally Translated
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Vol. Iv - The Delights And Dangers Of Ambiguity: But Notice, Too, That The Example
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Vol. Iv - The Delights And Dangers Of Ambiguity: Both Works Have Definitive Beginnings
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Vol. Iv - The Delights And Dangers Of Ambiguity: Listen As I Play
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Vol. Iv - The Delights And Dangers Of Ambiguity: Some Crazy Modern Music
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Prélude À L'Après-Midi D'Un Faune, L. 86
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Vol. V - The Twentieth Century Crisis: Our Lecture Tonight
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Vol. V - The Twentieth Century Crisis: Rhapsodie Espagnole, M. 54: Iv. Feria
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Vol. V - The Twentieth Century Crisis: What A Way To Enter The Twentieth Century
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Vol. V - The Twentieth Century Crisis: But 1908, If The Truth To Be Told
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Vol. V - The Twentieth Century Crisis: These Troubling Presentiments
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Vol. V - The Twentieth Century Crisis: So, Now In 1908
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Vol. V - The Twentieth Century Crisis: This Is Atonality
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Vol. V - The Twentieth Century Crisis: A Charming Idea
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Vol. V - The Twentieth Century Crisis: The Unanswered Question
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Vol. V - The Twentieth Century Crisis: I That Luminous Final Triad
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Vol. V - The Twentieth Century Crisis: I Have Recently Been Reading
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Vol. V - The Twentieth Century Crisis: We Have Already Referred To Some Of Those
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Vol. V - The Twentieth Century Crisis: In Any Case